Svećenikova djeca
Regie:
Vinko BrešanKamera:
Mirko PivcevicMusik:
Mate MatišićBesetzung:
Krešimir Mikić, Nikša Butijer, Marija Skaricic, Drazen Kuhn, Lazar Ristovski, Goran Bogdan, Marinko Prga, Tihana Lazović, Stjepan Peric (mehr)Inhalte(1)
Der junge Geistliche Fabian soll auf einer kleinen dalmatinischen Insel die Nachfolge des alten, beliebten Dorfpfarrers antreten. Doch das ist gar nicht so leicht, denn Fabian kann weder singen noch Boule oder Seniorenfußball spielen. Trotzdem will er unbedingt Gutes tun. Als ihm die himmelschreiend geringe Geburtenrate der Insel auffällt, hat Fabian seine Aufgabe gefunden: Gläubigervermehrung statt Beerdigungsalltag. Der Grund für das Übel ist schnell gefunden, denn der reumütige Kioskbesitzer Petar berichtet vom reißenden Kondom-Absatz auf der Insel.
Fabian hat eine Idee: so ein Kondom lässt sich ziemlich gut mit einer Nadel durchstechen und so der göttliche Wille durch ein Hintertürchen wieder einlassen. In Kollaboration mit dem verrückten Dorfapotheker, der statt der Pille nur noch Vitamine verkauft, folgt schnell der gewünschte Effekt. Und das auch gegen den Willen der überrumpelten Dorfbewohner, die sich in unheiligen Allianzen und unorthodoxen Umständen wiederfinden. Prompt ruft der plötzliche Kindersegen neben geistlichen Würdenträgern auch nachwuchswillige Pärchen aus aller Welt auf den Plan. Und die Inselkirche ist sichtlich davon herausgefordert, bei so viel Fortpflanzung für die nötige katholische Ordnung zu sorgen.
(Neue Visionen)
Kritiken (10)
It is obvious that this film from the Balkans arouses quite controversial and, in many cases, hesitant and significantly negative reactions. In my opinion, this stems from two facts. Firstly, for quite some time, The Priest's Children presents itself as a lighthearted summer comedy with somewhat provocative themes. However, in the second half, serious tones quietly start creeping in, which eventually leads to tragic moments. In short, you are dealing with a tragicomedy. Understandably, an appropriately tuned viewer will find it difficult to digest. Secondly, the film openly plays with human sexuality and tackles taboo topics using folk humor, which seems somewhat sacrilegious to appreciators of high art. For me, it deserves an honest 4 stars and my overall impression is 85%. It did not disappoint, but there's still something noticeably lacking that prevents it from achieving perfection.
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Eine millionenschwere Idee, die sich an einer malerischen kroatischen Küste abspielt. Sonnige Außenszenen, eine entspannte Stimmung von einem frischen balkanischen Schnitt, komische Figuren, ein volkstümlicher sowie intelligenter Humor (hervorragende Anspielungen auf die Kirche). Unter den ernsten Festival-Dramen eine super Entspannung, gleichzeitig geschmackvoll und mit einem Filmemacher-Niveau.
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Gesehen bei der Challenge Tour 2015: 30 Tage mit internationaler Kinematografie. Film Nummer 5 - Kroatien. Gott verhüte! kam anfangs als verrückte Komödie vom Balkan daher, dann wurde fast eine Tragödie und schließlich eine überkombinierte und närrische Tragikomödie heraus. Dieser Film war so überhaupt nichts für mich, und auch wenn man diesen kroatisch-serbischen Kampf in meiner Tour vom Genre her überhaupt nicht vergleichen kann, haben mich die Serben mit ihrer Rohheit mehr angesprochen.
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A folk comedy and exactly the type of film Zdeněk Troška will never make. This is a film that has a lot of humor flowing from the screen. I have never seen such imaginatively-processed running-jokes. Yet what surprises me most is that most films like this lose steam in the second third, only to moralize in the final third. Here they keep it going to the very end. A standing ovation for the filmmakers is well deserved.
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It is almost a rule for the Balkans that they can turn a serious story into a total farce, which makes you laugh whether you want to or not. Nevertheless, The Priest’s Children do it exactly the opposite way. When it comes to the story, it is a great comedy, which I at times consider unnecessarily tragic. Well, that’s the Balkans. I think I haven’t seen a single movie of theirs that isn’t at least a little bit tragic. Anyway, I still really enjoyed the The Priest’s Children. With the arrival on a small Dalmatian island I remembered every time I travelled to Croatia and I immediately felt great. I don’t know about you, but for me, their islands are like a small visit to heaven, although the locals probably have a different opinion about that. Nevertheless, the locations made me so excited about the film that I had to watch it again the following day. That’s how happy this movie made me.
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We must avoid sexual immorality, as some of them did, and in just one day, twenty-three thousand fell... (1 Corinthians 10:8) It won’t be such a massacre on a small Dalmatian island, but many of its inhabitants will not escape the consequences of their own and others' sins. So what if some have sore knees from laying tiles of good intentions... The troubles surrounding the despicable method of increasing natality are accompanied by populism, a light dose of political incorrectness and moralizing, a recurring musical motif, and a growing feeling that it doesn’t really engage me much. If Krešimir Mikić's mother stood before you with a pregnant belly and a list of potential fathers in hand, who would you guess it was?
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The only reason The Priest's Children can wrap itself in above-average ratings on FilmBooster is that the Croatian language bears a striking resemblance to the Czech language, and thus only arouses deep frustration over how no one can manage to put together a summer comedy in this country, at least like this one. Otherwise, though, it’s not worth crap. Brešan is not a good director, a fact that is most apparent through the poor editing and the accompanying unsuccessful timing of the jokes. He's unable to highlight the various supporting characters at the right time, so he helps himself by having them all wear the same outfits over and over throughout the film, which is pretty ridiculous given that the film takes place over the course of more than a year. It's that temporal sprawl that also denies the picturesqueness and nostalgia of the intended time period, which is otherwise the biggest domain of summer comedies. The film eventually scores points in the moments when the filmmakers' brakes on taste and correctness go out, and yet in this respect the film exhausts itself almost entirely in its first half.
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Svećenikova djeca (The Priest's Children) is one of the best tragicomedies I've ever seen, if not the best. The comedy/farce made me cackle, only to have everything instantly turn into a drama with an unexpectedly human dimension. I don't know if any film has ever evoked such a mixed bag of emotions in me. Plus, as a militant atheist, I was pleased that the filmmakers weren't afraid to attack the Holy Church, which is in desperate need of criticism. A great character was the local pharmacist/nationalist, who would do anything for his Croatia. I liked the whole mixture very much and had a great time again today on my second viewing.
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The specifically Balkan sense of humor is palpable in this successful comedy. I wasn't expecting much from the film, so I'm pleasantly surprised at how good it was. I really had a great time with it, despite the tragic storyline at the end. I have to appreciate the plot, which worked wonderfully in conjunction with the church. I would also like to mention that the musical accompaniment was extremely good. (75%)
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The first half of the movie is great, maybe the best comedy of this year. Unfortunately, in the second half, the comedy turns into a tragicomedy, which is where the movie starts losing steam. Although I expected a little more, it is quite a relaxing comedy/drama set on a small Croatian island. 5 stars for the first half, 3 for the second, so a 4 overall seem fair. “It's either a tycoon or a Mafioso.” – “It's the Bishop.”
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