Rendező:
Tim Blake NelsonForgatókönyvíró:
Tim Blake NelsonOperatőr:
Russell Lee FineSzereplők:
David Arquette, Steve Buscemi, Velizar Binev, Michael Stuhlbarg, Harvey Keitel, Lisa Benavides, Mira Sorvino, Natasha Lyonne, Daniel Benzali (több)Tartalmak(1)
Based in large part on Miklos Nyiszli's book, AUSCHWITZ: A DOCTOR'S EYEWITNESS ACCOUNT, THE GREY ZONE is set in the nightmarish world of Auschwitz in the 1940s. The film tells the brutal tale of the twelfth Sonderkommando unit, Jewish prisoners who were granted a few extra months of life in return for their services in helping with the genocide of their people. While organizing a revolt against the Nazis, a group of Sonderkommandos (played with ferocious intensity by David Arquette, Daniel Benzali, David Chandler, and Steve Buscemi) discover a young girl who has somehow managed to survive the gas chamber. Risking their lives, they team up with a fellow Jew, Doctor Nyiszli (Allan Corduner), to revive the fragile youngster and redeem themselves in the process. Nelson's excruciating drama is all the more unsettling for its unflinching honesty. By placing his characters in a world suffused with death, he creates an unbearable scenario where every decision determines the fate of dozens, if not hundreds, of innocent lives. (forgalmazó hivatalos szövege)
(több)Recenziók (2)
Some films are so powerful that when you rewatch them twenty years later, they leave the same or even stronger impression on you than they did before. The Grey Zone is exactly that type of film. It's a harrowing behind-the-scenes look at a monstrous death factory. There are films that are easy to watch and let you switch off and enjoy an undemanding fun story and I do like them. Then there are films that make you contemplate things you would rather not be thinking about for your own sake, and I like those even more. I guess the crucial question is, "What would I have done in such a situation?" Before, I couldn't understand how so few soldiers (and dogs) could lead so many people to their deaths without any resistance. It's clear to me now. Those people were killed by hope. Some didn't believe they were going to die, some suspected it, and others even knew it, but as long as there was a tiny spark of hope left, it was hard to be the first to confront the gunmen. It was only when the captors had taken all hope away from the people that they realized they had lost their power over them. Those who can no longer hope, don’t risk anything as they have nothing to lose. This film shows it in its true light, and I am glad it was made. I do know it wasn't a five-star film, but I'm giving it five stars anyway.
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Some topics are so serious that they should still work even with average processing. Moreover, having Steve Buscemi, Harvey Keitel, and several other well-known and quality actors at your disposal and not making a strong film already seems like a big failure. Nevertheless, I can't think of a film set in a concentration camp that would feel so barren to me. Brynych wasn't a directing ace, but his film Transport from Paradise, even though it didn't rely on a strong dramatic plot and was modest in terms of production, managed to capture the everyday life of the camp and the departure of the transport in an impressive documentary-like way that clearly surpasses The Grey Zone. In Nelson's film, I get the impression that there was a misunderstanding of the rules of the world behind barbed wire. The dialogue between the camp commander and the prisoner who opposes him is like something from another planet. Comparing the motif of survival in the gas chamber from the chillingly impressive Son of Saul with a similar scene in The Grey Zone feels almost blasphemous. The Grey Zone fails to sell the film characters and its storytelling is clumsy and quickly forgettable. Overall impression: 45%.
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